The 12-year old flipped scraps of burnt cardboard with a plastic shard as he explained, “I was just at home giving stones to my father and one of my friends was shot here,” he pointed to his thigh. “There was a fight in which enemies were fighting, and people were fighting each other.”
“Who exactly was fighting? What happened?”
“Police and also people. They go to house by house, house by house. They open the door, they beat you, they beat you, they rape you.” Alan clapped his hands together. He sat quiet for a moment. “You know most of them were my friends. One of them is in Kenyatta hospital.”
Alan continued, “In Kenya, tribalism is the thing which is going on and it is not finished. Because there are a lot of tribes and every tribe wants a land. You know there are forty-two tribes in Kenya.
“There was a tribe called Kikuyus—you know there is a place, Lainisaba, if they find you there, they take you and they circumcise you,” Alan waved his hands over the rubble. “Just like that, because they are their enemy.”
Public circumcision is a means humiliation and dominance, especially for tribes opposed to the traditional ritual as in the case between the Kikuyu and Luo. The Luo tribe set off the violence in December of 2007 after the Kenyan incumbent president, Mwai Kibaki, a Kikuyu, apparently stole the election from Raila Odinga, a Luo. The police, mostly of Kikuyu origin, joined the violence. Their orders and execution are subject to debate.
“Do you think peace is possible?” Tyler Batson, the director of our documentary, A Chance for Peace, asked.
“No. I do not think so.” A pause. “But now there is grand coalition government of Kibaki and Raila. They are the ones who are in power now. Raila is prime minister. Kibaki is president.” In Kibera, Prime Minister Odinga is refereed to by his first name. “Raila” is painted on the walls of homes and businesses always in reference to “peace”, especially in Kibera.
A melting pot of over 600,000 residents—and on some estimates, one million—Kibera is the largest slum in Kenya, a scant fifteen-minute matatu (bus/van) ride from downtown capital Nairobi. Along the main one-lane highway, hundreds of private vendors hawk goods and services to town residents and adjacent Nairobi. Although bustling with heavy foot-traffic and mass transport, commerce appears scare from competition and poverty.Tens of thousands of shanty shacks, few of concrete construction, many of corrugated tin siding wired to blue gum branches, blanket gentle rolling hills as one seamless rusting contoured floor. Home to many Kikuyus, as well as Luos, a dozen occupants may sleep in a space the size of a small studio apartment. Water is provided through a well system, but still boiled before drinking. Before the wells though, streams running between villages was potable, but a careless regard for rubbish and unsanitary latrine use has made the watercourse a reeking exposed sewer system.
Post-election, Kibera epitomized the example of violence from tribalism and political outrage. We met Alan while filming the ruins of a government building mobbed by protestors and torched by petrol bombs. I was told three people were killed just a few feet from where I set the camera. Alan, curious about the camera approached us.
Over the concrete fence, a choir’s praises resonated through cracked and scorched walls of a church still in use after fire bombed. A felt a drop of water splash on my neck, and although the sky looked as if it wanted to rain, nothing more fell.
“Can I ask you a question?” Alan asked me studying the camera as I reviewed footage from his interview.
“Sure.” No question followed. He slid two fingers over the camera’s focus ring. “You said you want to be a journalist?” I offered in exchange.
“Yes, but it is not going to happen.”
“Why?”
“Because I do not have money to go to college,” he stated quickly. (Refer to a previous post titled, “Namibia – Sundowner”)
“Do you need to go to college to have a job?”
“Yes.”
After a pause second-guessing my response, I explained to Alan how through persistence and unpaid labor for a local television station, he—in a sense—would get a “free” education, as well as establish connections that could lead to a paying job. In the States, internships especially in the film business are common practice, but here in Kenya?
He looked at me as if his heart, in all seriousness, skipped a beat. “I want your e-mail.”
Dressed in a flannel overcoat, forest-green beanie and enamel-splattered jeans, Solo7 carried a bucket of white paint to a wood fence and brushed the words, “Keep Peace by Solo7”. Local bystanders call out his name with affection as he crossed the Ngong Road to an advertisement wall. Smoke burning from heaps of trash blacken and peal the already muted colors of Melvin’s Chai Tea. “No Dumping” a sign reads. Solo writes, “Keep Kibera Clean by Solo7”. The bold white letters join the hundreds more political statements on every other surface in and outside Kibera’s main throughway. The vandalism is accepted and appreciated, and as a result, Solo7 is a hometown celebrity artist.
A tight dirt corridor between dividers of brown corduroy and pasty mud opens to a four-man Kenyan board game situated across from Solo7’s communal art studio, M2. A heavy metal door pushes into the enclosed cramped patio of a two-story shed. At the edge of the door’s swing is Gambo, another artist dabbing yellow acrylic onto a near-finished art canvas, his studio dubbed, “China”.I walk up the bottle-cap coated staircase into “Amrika”, Solo7’s stage. Paintings, collages and sculptures shield the rusting tin wall. A window peers over the patio and surrounding Kibera framed over a bench littered with Giger-esque wire-frame figurines and woodcarvings.
Solo7 clears a space, sets a legal-letter sized composition against a propped-up translucent Coca-Cola banner, and outlines an ominous depicted figure with a soft lime-white glow. He dabs the acrylic paint heavily against the canvas; his brush blunt and hardened.
“After people heard that President Kibaki had won election, people grew mad ‘cause they expected Raila to be president. People say that they rigged election results. After that people had grown mad and they started torching people’s properties, setting them a blaze, and they were hunting Kikuyus from this place claiming Kikuyus are responsible for election rigging. So I saw in such a fashion, people cannot live that way forever since we are all suffering. All tribes of Kenya, because it was not business as usual.” He dipped his brush into a cap of green paint and touched the canvas. “Children were dying of hunger, and old men and women too. I decided to come up with this peace initiative writing on the walls at least to educate my fellow youths. ‘Cause they are the youth causing all this chaos. So I wanted them to understand and retreat back.”
Solo7’s penname originates from a series of coincidences: his proper first name, Solomon, being the seventh child in his family, and a series of life incidences that relate or reference the number “7”; in a much more significant way the number “17” has impacted my life.“How has the post-election violence influenced your creativity?” I asked.
“It only affected the sense of my artwork, but not the creativity. I paint these pictures I normally see a kind of fire feeling. Like this piece that you see here,” Solo turned his body and pointed a large fabric canvas of human shapes worked into a flare of red brilliance. “Its got a lot of warm colors that depict fire.”
Solo continued to describe his depiction of the violence he experienced. I admired it for its composition, but above all the meaning from an artist of resistance.
Six weeks prior and one week after arriving at Sossusvlei Mountain Lodge, I joined a Dutch couple on their visit to Sossusvlei proper. The mountainous iron oxide tinted dunes are a striking contrast of form and color in the early morning sunlight. Not a far hike from a 4WD track into the dunes, are dozens of dead camel-thorn trees, some over 500 years in age in a desolate clay pan. A location for many commercial and feature film productions, the dead valley and surrounding red dunes are a photographer’s paradise. Camera aside though, the landscape is surreal, alien and unique, a sensation only hinted by some of the best photography. I found myself walking the mud-cracked turf alone; the Dutch couple had snapped a picture from the valley shore and return hiked to the game
truck.
Valerie and her husband Weynand, sponsor several students at various ages and levels through lodge profits and visitor donations. Only self-motivated and academically driven learners are given scholarship, and in exchange must return and better the area’s community. At present, two students are studying abroad, one as far away as Moscow, and several working their way through secondary education (high school).
Elias is opposite only in that he doesn’t smile as often as Erick (that’s changed with the nickname of “Smiley II”, a former hockey player reference). Orphaned at an early age after both parents passed away, Elias, now fifteen is independent and very self-motivated especially with his studies.
There are no streetlights on the one lane B8 highway leaving Rundu towards the Caprivi Strip. Donkeys and goats cross with alarming regularity, as do the hundreds of people walking the shoulder. An inversion layer of smoke front-lit by the truck’s high beams restricted my visibility to a hundred meters ahead on our path, and I slowed the vehicle accordingly.
Theresa, a German schoolteacher on sabbatical, and I pushed our way through a mob of music fans pushing the gate into the Rundu Open Market. We had alre
I dropped Peter and Mathieu off at the lodge, a cluster of 12 quaint villas with an open dinning, bar and lounge area designed with
I laughed. We would make light of such exaggerated notions later that day. In fact, everything was plausible, but so is stepping on a Rattlesnake or getting stung by a scorpion back at home.
Peter Nuugonya is a Owambo ranger and guide at Sossusvlei Mountain Lodge. He is the father of two children: one on the way through a lodge relationship and the first, a five year-old daughter living with mom 1,500 kilometersaway near the city of Rundu. Peter’s two-week holiday would coincide with my two-week trek throughout northern
Namibia and provide a great opportunity to live with his family in Ondangwa then retrieve his daughter before returning to Windhoek.
Good evening, sir,” Nelao shook my hand speaking very slowly, as if rehearsed. All children are very polite and proper when formally meeting people, and Nelao, a family kid at age seven, was being trained as such. She seemed nervous though and had a very uncertain posture to her body language.
“You can expect a lot of people to tear away when they see you tomorrow. But it’s good because they will learn about the independence in school and they will be able to tell their friends how a white person came to the village and say how different you are.”
On the weekends, villages play against each other with teams made up of talent regardless of age. Soccer balls and jerseys are not in abundance, and cleats are a luxury. Children will wrap scrap plastic bags or ragged fabrics bound together by tape or string to fashion a ball. Shirts and skins sometimes define teams, and foot apparel consists of hiking boots, sneakers, sandals, or more commonly bare-feet.
I tried all but barefooted and regret not trying.Playing in the sand, or gravel in the case of Sossusvlei Mountain Lodge’s village (identified as the “World’s Greatest Soccer Field in the World” by a local paper), has its advantages and difficulties. I found it easier to lift the ball on a pass or kick, but dribbling is chaotic on the inconsistent surface forcing many pass plays. Superstars shine controlling and protecting the ball, but rely heavily on support. I was pleasantly surprised by the strong team play and communication even with younger players, but given the playing conditions one really has no choice to rely on his teammates.
The sky wants to rain, or at the very least it gives that appearance. A white haze of fine dust mixes with the blue sky to create a concrete gray horizon. Only at the zenith does one know any different. Although this atmosphere extinction drastically dims the sun to a pale maroon orb at dawn and especially dusk, the sky is opaque to many dim stars. There may be a lack of light pollution, but that doesn’t mean anything if the transparency is opaque. And with a waning full moon, I could be in the center of suburbia and know no difference. Perhaps this is the reason for a lack of interest in the stars for many Namibians. An excuse shared by their light polluted counterparts elsewhere, although I found that impression changes when the stars are put into context.
No exception to the white haze is the Etosha National Park. At the heart of north-central Namibia and stretching over 22,000 square kilometers Etosha means “Great White Place” in Owambo for a giant pan at its center. This evaporated delta is not the reason of attraction for most all visitors to Namibia. Etosha is a living wildlife zoo. If the park were a state or country, its many water holes would be major cities teaming with springbok and zebra to elephants, rhinos and much more. By my second day, many species would eventually blend with the scenery in the hunt for more exotic game, like leopards and lions.
The GPS coordinates I plotted earlier led us just a couple hundred feet away from the lions. They watched me as I unfolded the tripod from the rear cab window and locked the camera. I would have like to gotten closer, but this would do.
ned. “Besides, we’re safe in the car.”
We were given tools to change a tire, I made sure of that before leaving the car hire, but the jack rod would not connect with the axel and the wheel spanner’s socket was too large for the rim bolts. A rod for our tent sufficed as a replacement to raise the jack; but what good is that if we cannot get the tire off the bearing?
Nonna and Charles are residents of the Epupa Falls area. Charles, a spitting image of Captain Morgan, is a geologist with mines 400 kilometers south of us in Damaraland around the town of Uls and home to the Damara tribe, and elsewhere in Koakland, a region home to the Herero and the tourist-popular Himba tribes, as well as the Epupa Falls. We would unwittingly pass Charlie’s blue sodomite mine the following day in route to Peter’s home village near Ondangwa, another 400-plus kilometers east along the Angolan border.The couple also shares a special relationship with the Himba people. Only a selected few white people are currently accepted into a Himba tribe. This honor requires years of building trust and can easily be taken away. Such an acceptance offers the opportunity to participate in meetings, weddings and funerals, the latter two are of great significance bringing members from great walking distances for one to two weeks of straight partying. Disappointingly, the Namibian government does not recognize Himba marriage, but that will not stop the matrimony plans of Nonna and Charles.
Roads in Namibia are labeled according condition maintenance. “C” roads are sub-major gravel highways in good riding condition, and the majority “D” roads equate to some of the best forest service roads in northern Arizona. A small percentage tarred “B” highways connect the few major cities/areas, and intersecting everywhere are two-wheel tracked paths joining villages and homes.











